And while the typeface has experienced an eclipse in popularity over the years, it remains one of the most recognized fonts today.Īs with any sans- serif font, Eurostile lacks the serifs (extending features at the end of letter strokes). These changes positioned Eurostile not only as one of the go-to typefaces of the early 60s but also as a futuristic font. It also included several other options, including a bold condensed variant and an ultra-narrow design that Novarese christened the Eurostile Compact. The new font not only incorporated lowercase letters in addition to Microgramma’s UPPERCASE-only characters. ![]() Therefore, Novarese decided to address this glaring drawback by creating the more versatile Eurostile. That’s despite there being various weights of the font. The fact that Microgramma was only available in UPPERCASE letters made it a highly limited typeface. However, the font was available in a variety of weights, styles, and designs. Microgramma was a famous titling typeface that only came in UPPERCASE letters. The main inspiration behind developing Eurostile was to have a typeface that would succeed Microgramma, another popular font that Novarese helped design. ![]() The font was created for the Nebiolo Font Foundry, one of Italy’s most renowned font foundries. Eurostile is a geometric sans-serif typeface designed in 1962 by Turin-based Italian type designer Aldo Novarese.
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